Numanities - Arts and Humanities in Progress Volume 18 Sounds from Within: Phenomenology and Practice Paulo C. Chagas Jiayue Cecilia Wu Editors Numanities - Arts and Humanities in Progress 18
2 Existential Semiotics and Its Application to Music: The Zemic Theory and Its Birth from the Spirit of Musicģ The Qualities and Flow of Imagined Sound and MusicĤ.3.1 Audiation and Correlates of Imagined SoundĤ.3.3 Measurement and Representations of Neural SignalsĤ.5.1 Exclusions Based on Behavioral DataĤ.5.2 Preprocessing and Univariate ResultsĤ.5.3 Multivariate Results and Behavioral Correlatesĥ Music, Listener and Extramusical Experienceĥ.3.1 General Associations and Sociocultural Influenceĥ.3.4 Signifier-Signified Links in Instrumental MusicĦ In Quest of the Sonic Self: Sound as Expression of the Performer’s IndividualityĦ.3 Practice: The Sound from Within the Bodyħ.2 The Notion of “Sound” in Gino Stefani’s TheoriesĨ Experiencing Embodied Sonic Meditation Through Body, Voice, and Multimedia ArtsĨ.3.2 Evaluating Body-Sound Relationshipsĩ Sonic Imagination: Body, Visual Mental Imagery, and Nomadismĩ.2 Deep Listening to the Amazon Rainforest Through Sonic Architecturesĩ.2.2 Strategies of Recording in the Amazon Rainforestĩ.2.4 On the Influence of the Performance Spaceĩ.3 Music for Brainwaves: Embodiment of Sound, Space and EEG Dataĩ.3.7 Ex-NSA Teufelsberg Listening Radome, Berlinĩ.4 Proprioception in Visual Mental Imagery of Spaces While Deep Listeningĩ.6 Carnet de Routes: Following Blaise Cendrars in Brazil
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